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Art books I own and use. Many of these are well-known and loved titles, but I list them
here anyway, because it is hard to judge a book without looking at it, and I more or less
tested these. (In association with Amazon.com.)
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Visual Literacy
by Richard and Juith Wide
One of the very few books that I know of which are of any use in teaching art. Aimed more
at visual design than drawing, and more at teachers than at students, the book contains
tasks from a course in design with students' works. The tasks are wonderful for teaching the
crucial but oft overlooked basics, such as composition, clarity, interpretation. Must have.
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Figure drawing without a model
by Ron Tiner
Very good text about developing a knowledge of human figure applicable
for drawing it from memory, plus a lot of illustrations in expressive
comic book style.
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Anatomy for the artist
by Sarah Simblet
Admittedly, this book is fairly expensive, but its excellent photographic illustrations
make it more than worth the cost. The variety of models and poses, and anatomical analysis
of classic works make it truly stand out of the crowd.
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Drawing the living figure
by Joseph Sheppard
This book consists of samples of figure drawings together with the
analysis of visual anatomy seen in them. Each drawing is accompanied
with two more, detailing the visible anatomical structures and
illustrating the bones and muscles which make up the pose. It makes a
very useful reference and learning resource.
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The art of animal drawing
by Ken Hultgren
Probably the best book on animal drawing of all currently available.
Little text, a lot of illustrations and schemes with explanations,
on all stages from sketch to finished drawing; a lot of content on
action and even animal caricature. The drawings are excellent; my only
gripe is that the artist did not understand the shape of the house cat
skull, but that is an admittedly minor thing.
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Colored Pencil Solution Book
by Janie Gildow and Barbara Newton
One of the most comprehensive books on colored pencils as fine art technique and a
reasonably all-round resource, containing everything from material reference and
ergonomics to step-by-step demonstrations and methods to correct errors.
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The artist's complete guide to figure drawing
by Anthony Rider
This book concerns drawing from life, rather than drawing from memory,
and the approach it offers is meant for having a model and inapplicable without
a model. Yet, it contains many inspirational drawings and technical tips.
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The illusion of life: Disney animation
by Frank Thomas and Ollie Johnston
This hefty tome is a textbook on Disney animation written by two of
the Nine Old Men. The authors discovered that explaining what their
art was about was impossible without reviewing its history, and this
book is not just an art form manual, but also a chronicle of the
studio's life and experience. Richly illustrated by drawings from
various Disney movies up to the end of the Nine Old Men period.
Expensive, but inspirational and more than worth reading.
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Virtual Pose
by Mario Henri Chakkour
Not a book, but rather a reference CD with catalogue in book form,
this volume contains photographs of two models in Quicktime VR format,
which allows to virtually rotate the figure around.
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Virtual Pose 2
by Mario Henri Chakkour
The sequel contains more poses and more models. The value of these two
albums is that they allow to see the volume of the model's body,
not just a flat snapshot, which makes them much more usable than
simple photographs. It is actually possible to use them in absence of
a model for figure drawing.
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Encyclopedia of Fantasy & SF Art Techniques
by John Grant, Ron Tiner
An idea catalogue more than anything else, this book contains information
not as much about actual techniques as the creative approaches used in
fantastic art.
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Books on other subjects, but worth looking at nonetheless.
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Redeeming Factors
by James Lane
I illustrated this SF novel.
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Expedition
by Douglas Wayne Barlowe
The most popular travel book of the 24th century is an account of an artist's
journey to the planet Darwin IV. Highly imaginative and beautiful, and an example of how even
most fantastic subjects can be handled with firm internal consistency that lends to credibility.
Additional value in many working sketches included in the book.
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Prometheus Rising
by Robert Anton Wilson
One of the most thought-provoking books I had encountered, it
promotes an eight-level model of human consciousness which works
where most advertised psychological theories become fuzzy, making such
thing as psychology of religion and moral possible.
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